I See You: Padhia on Learning to Unfuk Yourself, Using Art as an Outlet, and Being Who you were Before the Stuff that Dimmed Your Shine [California Summer Series]

In part two of the California Summer series, TK Mills talks with Padhia, the creator of Unfuk Yourself – a philsophy, an art style, and an identity. Unfuk Yourself is not easily described. An ethos that fluctuates between punk-rock rebellion and deep meditative self-reflections, Unfuk Yourself began in 2012 as a blog and grew into a viral trend, a brand, a philosophy, an art style, and an identity – or in the words Padhia, the creator: “It’s about the triumph of the human spirit and what we're actually capable of, if we have the right perspectives and hope.”

Chaos & Grace: Thrashbird on the State of Street Art, Billboard Takeovers, and Doing Illegal Shit

A Q&A with Los Angeles’ most infamous street artist, Thrashbird. The discussion covers everything from social media ruining art to the story of his first billboard takeover. "Basically, I want to leave people with one thing. If you’re getting into street art, and your sole purpose, your dominant priority, is to sell art work… then get the fuck out. If you want to be a street artist… you’d better get outside and do some illegal shit."

A Storm in Staten Island’s Artist Alley: Climate Change Ain’t Nothin’ to Mess With

One mural in particular has taken the world by storm. ‘Climate Change Ain’t Nothing to Mess With’ went viral across the internet for its image of a weather advisory, warning of impending hurricane Wu. Designed by Staten artist Cody Prez and curated by Tariq Zaid of RHC, the mural is part of a community initiative to raise awareness around social issues and Staten’s art scene.

The Myth of Himbad and the 9th Wave

I heard of the enigmatic artist, Himbad, long before I met him. A London artist with a far travelled reputation. The buzz came to New York when word got out he was doing his first solo show in NYC. Rumor had it several galleries were trying get him in. The bid was won by Bushwick’s finest, 3RD ETHOS Gallery. Connie and the 3RD ETHOS crew set him up for a month long residency. Given the expense of shipping, Himbad opted to paint all originals for the show. Thus, for nearly the whole of May, he painted like a madman, conjuring new creations.

Bridgeport Art Tower

The project is a collaboration between Harris Lobel and Hanz — curator and owner, respectively. I’d seen Harris’s previous work with the First City Project and the Drip Project, and now he’s brought the hustle to Bridgeport. The massive brick-red building was a former school turned living space. It had the look of a castle. Lines of windows marked the homes inside. At the top, an empty bell tower crowned the building. Harris pointed at it. “That’s the art tower.”

It Doesn’t Hurt to be Nice: Murrz

I’d walked by the JMZ gate several times, where Murrz had painted ‘Biggie the Pooh.’ The Lawton Street gate was part of an assemblage celebrating a line of female artists. They were all top-notch, but Murrz's piece of Biggie caught my attention. The Notorious image has always been of interest to me. We chatted in bits and pieces over a few months before I reached out for the interview. Fellow Bushwick residents, we met up at Lil Mo’s to talk about pop culture, fangirls, and artistic courage.

Shape of Things to Come: Jenna Krypell

“We would sit in the back yard, and just draw for hours.” Her first lessons came from these moments, when her grandmother would educate her with a gentle hand. Jenna learned about the technical matters, things like pointillism, and different ways of shading. Although her grandmother was never a working artist, [a reflection in part, of the times she lived] she always loved fashion. She would draw clothing designs and stylish women silhouettes. The skills she passed on to Jenna helped the young artist learn her fundamentals.
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